The Staffa Corner Podcast, Ep. 46 – Reviewing Juliet and Romeo and A Conversation with Alex Grech

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The Staffa Corner Podcast

Episode 46

Guest: Alex Grech

Set in 1301, when Italy was still barely an idea, Juliet & Romeo reimagines Shakespeare’s tragic story through a fresh musical lens. The film follows star-crossed lovers Romeo (Jamie Ward) and Juliet (Clara Rugaard), who must keep their love hidden as their families remain locked in a bitter feud.  

For those familiar with my reviews, you know musicals aren’t my favorite genre—not because of the songs themselves, but because I find it odd when characters suddenly burst into a choreographed number mid-conversation. That’s not my only hesitation. The bigger question is: Do we really need another retelling of Romeo and Juliet? And does swapping their names while adding new songs justify this latest adaptation?  

The film’s opening caught me a little off guard, but it quickly jumps into the action, introducing audiences to the key players on both sides of the conflict. The writers waste no time bringing Bogart’s vision of Shakespeare’s world to life, setting the stage for a fast-paced, stylized interpretation of the classic tale.  

Without question, the standout of the film is Clara Rugaard’s heartfelt performance as Juliet. Despite some occasionally awkward dialogue, she manages to bring a refreshing authenticity to the romance. Her chemistry with Ward is playful and engaging, making their connection feel genuine. Some may argue that Ward’s casting leans more toward a boy-band aesthetic, but within the film’s youthful tone, his presence works. Their dynamic keeps the story emotionally compelling, and Rugaard, in particular, impresses—leaving me eager to explore more of her work.  

Adding further depth to the film, the supporting cast features Jason Isaacs as Lord Montague, with Rupert Everett and Rebel Wilson portraying Lord and Lady Capulet. 

Visually, the film is a treat. Shot on location in Verona, Italy, the city itself becomes a living, breathing character. Its stunning architecture and atmospheric streets enrich the immersive experience, making every frame feel meticulously crafted to highlight the beauty of the era.  

Yet despite its breathtaking visuals, Juliet & Romeo occasionally struggles with its musical identity. At times, it feels less like a film where music enhances the story and more like a soundtrack searching for a movie. The issue isn’t the songs themselves but how overly polished the production feels—each track so expertly fine-tuned that it momentarily pulls viewers out of key dramatic moments. While the songs may not be aimed at my demographic, I found most of them tolerable—sometimes even catchy. I wouldn’t be surprised if the soundtrack becomes a hit among younger audiences.  

Still, one undeniable strength of modern reinterpretations like Juliet & Romeo is their ability to introduce Shakespeare to new generations. Without films like this, many young viewers might never encounter his works. If this adaptation sparks even a small curiosity about Shakespeare’s storytelling, then it serves a purpose beyond entertainment.  

Despite my usual reservations about musicals, Juliet & Romeo proves to be a compelling update of a timeless tale. The film’s creators make no apologies for knowing exactly the demographic they were aiming for—and they hit their target.  

While it doesn’t reach the cinematic heights of Baz Luhrmann’s Romeo + Juliet (1996), starring Leonardo DiCaprio and Claire Danes, it holds its own—offering an entertaining watch for a young new generation. With an engaging cast, visually stunning sets, and compelling performances, Juliet & Romeo earns its place among modern adaptations of classic literature.  

The Staffa Corner Podcast and Your Entertainment Corner recently sat down with Alex Grech, who plays Tommaso, to discuss his role in the film. 

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Greg Staffa

I provide testosterone to the site. You won’t be reading about how nice a actress looks in a dress or how much of a hunk Matt Bomer is in my reviews. I describe colors using words like brown, not taupe. My twitter name is @staffaroadtrip because I love road trips and have done two different 48-state road trips since 2008. My favorite show is White Collar.

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